06 March 2009

Quilts for Causes

This week's feature quilting cause is Wrap Them in Love Foundation. They collect donated quilts and distribute them to children around the world, so they can be wrapped in love and comfort. The foundation feels that a quilt is a very special thing. It isn't just a blanket; it has been lovingly created by a real person. A quilter leaves a part of themselves in every quilt they make. The child who receives it will be able to snuggle up in all the love that comes in that quilt.

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Their guidelines are simple:

  • Make a quilt or quilts and send or deliver them to:
    Wrap Them in Love
    2522-A Old Hwy 99 S
    Mt. Vernon, WA  98273
    USA
  • Tie or quilt them fairly close so that they can hold up to lots of loving and washing.
  • Quilts of 40" X 60" size are recommended, but you can make them any size. There are older children as well as babies who need them.
  • Please be sure to put a label on each quilt that includes your name, where you are from, and the date you made the quilt.

The web site includes some wonderful pictures of children that have received these quilts.

I know a lot of quilters make quilts as gifts. Why not make one as a gift for a child in need?

28 February 2009

How to Make Yo-Yo's - The Fast and Easy Way

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There are a lot of great things about making yo-yo's and now it is easier than ever to make a lot of them. For a quick introduction on what yo-yo's are and to learn the traditional method of making yo-yo's, see the Quilting site at About.com.

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The fast and easy method is to use a yo-yo maker. I use a 45mm size maker by Clover. The makers come in various sizes and shapes, including hearts and flowers. Each yo-yo took me approximately 5 minutes to complete (after making a few practice ones).

To make the yo-yo's:

  1. Cut a scrap of fabric larger than your yo-yo maker. I keep the scraps at least one inch larger than the maker at the smallest point.
  2. Place the fabric face-down onto the base of the maker.100_4720
  3. Put the disc part of the maker on top of the fabric and then snap it into place. Make sure that you properly align the disc and the plate.
  4. Trim the fabric leaving a 1/4" - 1/2" seam allowance.
  5. Fold the seam allowance toward the center of the disc and insert your threaded needle into the starting point on the disc side.
  6. Push the needle all the way through to the base side of the maker.
  7. Bring the needle up by pushing it through the notch on the base side up and then through to the disc side.100_4726
  8. Continue doing this all the way around the maker.
    TIP: Do not sew outside of the holes in the maker.
  9. Push the maker apart, and gently remove the fabric from the disc.
  10. Pull your needle and thread to gather the yo-yo.
    TIP: Shape the yo-yo as you pull.
    TIP: Pull gently so you do not break the thread.
  11. Knot the thread and cut it.

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Yo-yo's are a perfect way to use up some of your small squares of leftover fabric. You can make up the yo-yo's from leftover fabric when you complete a project. Each time you finish a project, add to your yo-yo stash. Before you know it you will have enough to make a blanket, toy animal, or wall-hanging. Check out Yo-Yo Cat & Mouse Pattern By Indygo Junction.

100_4706They are so easy to make that it is the perfect project while watching TV or sitting in a car. My 11 year-old daughter loves to make yo-yo's. I'm not sure what she does with them, but whenever she has a scrap of material she asks for the yo-yo maker.

Pick one up and give it a try. I'd love to see some of your creations!

25 February 2009

Quilts for Causes - Soldiers' Angels

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Soldiers’ Angels is a non-profit organization that provides ongoing support to Soldiers, Sailors, Marines, and Airmen deployed world-wide, defending, and protecting the freedoms we cherish.

Their focus is "Helping to bring home healthy soldiers. May No Soldier Go Unloved."

Quilters can get involved by visiting the Sewing Team page and signing up. The Sewing Team creates handmade blankets to be delivered to wounded service members to bring a hug from home. Afghans and blankets are delivered to the veterans across America.

They have several projects that can use your quilting, knitting, and crochet skills. There are even No-Sew projects for the kids to complete. The projects listed are:

  • Blankets of Hope - Handmade sewn and no-sew blankets for the wounded
  • Blankets of Gratitude - Knitted/crocheted/loomed blankets for hospitalized veterans
  • Blankets of Belief - Showing our deployed heroes, "We believe in you!" This is a seasonal effort during the holiday/winter months.
  • Scarves - Simple scarves to protect and cool deployed troops
  • Operation Top Knot - Sewing for infants of deployed fathers

Help support those who protect us!

21 February 2009

Snippet Sensations Technique

51S5JM6QB9L._SL160_ The snippet technique has quickly become a favorite. This is truly painting with fabric. Check out Cindy Walter's quilt gallery using snippets. (Cindy is the creator of the snippet technique, by the way.) It is so easy to create an impressionistic-like quilt. Ever wished to quilt Monet's Water Lilies or Van Gogh's Starry Night? This is the method that can pull it off. The bad thing about this technique is that the quilt is for hanging on the wall or framing. It is definitely not for quilts used for snuggling.

Tools

  1. First, you need Cindy Walter's book Snippet Sensations: Fast, Fusible Fabric Art for Quilted or Framed Projects. Cindy does a wonderful job explaining step-by-step what to do and she offers her own experiences with different tools and brands.
  2. Assorted fabrics. Lots of different shades and prints. This is the perfect opportunity to use up your scrap stash. Avoid large prints.
  3. Two-sided fusible web.
  4. Iron and ironing surface.
  5. Comfortable scissors. You will do a lot of cutting.

Technique

Cindy recommends thinking of the fabric as dabs of paint. You iron fusible web to the fabric and cut lots of pieces. You can create a limitless number of picture by arranging the "dabs" on a backing fabric.

Here is my attempt at the snippet technique and the picture I used for inspiration. I call it Romeo and Juliet in Central Park.

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I haven't finished this quilt yet, only I am not happy with my choice of fabric colors and prints for the statues. The great thing about this technique is that if you do not like something, you can easily redo it. I'll post a before and after picture when I complete this one.

If you have tried snippets, I'd love to see your accomplishments!

17 February 2009

Quilts for Causes

Bushfire Quilt Project

There were terrible fires that ripped through Australia. There is an estimated death toll of 300 and over 5000 are homeless. You can read about them and see some sobering photos here. The quilting community in Australia is banning together to help those that have lost everything.

I have come across two different efforts to collect quilt blocks. Some wonderful ladies are volunteering their time and energy to collect the blocks, piece them together, and quilt them for those in need from the Australia bushfires. I do not have any personal relationship with either of these two ladies, so if you have questions about the collections, please contact them at the site links I've included.

The first is Carol Freedman. I discovered this effort here on Facebook. She is collecting 12" blocks. Several shops are donating the batting and backing fabric for the finished quilts. Her address is:
Carol Freedman
PO Box 243
Barnawartha Vic 3688
Australia

The other effort is called Bushfire Quilt Project, and they have a site on Flickr. Tia Curtis is asking for 12 1/2" Wonky Star blocks. The site has a very informative FAQ area and a link to a tutorial on making Wonky Star blocks (I just love saying "wonky"). Tia would like to have all blocks by the end of March. There are two mailing options. If you are in the US, send them to:
Tia Curtis
PSC 276 BOX 89
APO AP 96548 USA

or to:
Tia Curtis
18 Forrest Crescent
Gillen Suburb
Alice Springs, NT 0870
Australia

07 February 2009

Christine Friess-Ureel

Miranda quilt

If you do not know who Christine Friess-Ureel is, you are missing out on viewing the most beautiful and artistic quilts. The truly inspiring thing about Christine's quilts is that when she started she knew nothing about sewing. There is hope for everyone regardless of your quilting level!

Fries-Ureel Detail Quilt Christine is an international award-winning quilter from Vermont. She combines her love of painting and quilting into spectacular pictorial art quilts. She finds inspiration from classical works of art and from the whimsical. The amazing thing about her quilts is the attention to detail. Visit her web site to see images of quilts and close up details. She prefers to use machine applique without leaving raw edges.

She also uses a technique called thread painting, also known as free-motion machine embroidery. Thread painting is the use of different colors and types of thread to create images. Use a free-motion foot on your machine and "paint" with the thread on your material, which is the canvas.

Christine will be teaching a workshop at Keepsake Quilting in April. In the class you will make a smaller version of her "Miranda:The Tempest" quilt and learn how to create the magnificent detail in the woman's hair and in the ocean. See Christine's site for a complete list of her upcoming workshops.

Have you tried quilt painting? I would love to see your work!

01 February 2009

Early Quilting

Quilting has been around for centuries, though it has not always been in the form most people today think of as quilting. The earliest form of quilting was not patchwork (the sewing together of pieces of fabric). The earliest form was two pieces of material with some form of padding sandwiched in between them. These layers were then sewn together. Today, we still consider the act of quilting the sandwiching and sewing, but we also include the patchwork.

Also, bed covers were not the primary use for these quilts. The oldest evidence of quilting is found in paintings and sculptures in ancient Egypt, India, China, and Persia. The paintings and sculptures show highly decorative quilting used on clothing and wall hangings. The quilted material would not only keep a person warm, but it is obvious by the elaborate designs on the clothing and wall hangings that it was appreciated as a form of art and a fashion statement. Other items that were quilted for warmth as well as for fashion were slippers, petticoats, and mantles.

Some quilted evidence in the form of the actual items still remains, though very few because the fabrics and skins used are perishable. Some of the items that have been found have shown other uses for quilted materials. For example, soldiers wore quilted shirts under their chain mail. The soft fabrics quilted together and worn under chain mail provided warmth when the weather was cold, and it provided protection from the chain mail rubbing against skin during the extended marches. Soldiers also used quilted material under the horse’s saddle to protect the horse.

Another use for quilted fabric was as a type of door in large churches. The actual doors to enter the church were left open because they were so large and heavy and because there was a constant stream of people entering and exiting. If the weather was nice this was not an issue, but during the cold months a large quilted curtain was hung in the doorway to help keep out the cold, but make it easy for people to come and go from the church.

My favorite early use for quilted fabric was both practical and very decorative. This is the wall hangings. The wall hangings were a necessity to block the constant chill the stone walls held in the winter. Even though they were practical they were created with colorful fabrics and threads and the stitching was extremely detailed. One of the earliest surviving wall hangings is a Sicilian quilt known as the Legend of Tristan. I am not only partial to this quilt because I have an affinity for the King Arthur legends, but also because one look at it and a person cannot help but be in awe of the detail. In an age of predominant machine quilting, I have difficulty imagining the amount of time it took to create this work of art. The quilt currently resided in a London museum, but a full picture of the quilt can be found in the book The History of the Patchwork Quilt: Origins, Traditions and Symbols of a Textile Art.

If you get a chance, take a trip to a museum that displays example of early needlework and see some of these amazing early quilting items. I’d love to see your photos.